ADULT COURSES & WORKSHOPS

George Nick
522 Plein Air Painting

Friday, September 17 through Sunday, September 19 10:00–4:00 $375M $415NM

Working from observation, students will learn the skills and attitudes necessary to paint as well as how to organize information that one receives from the observed world. They will determine what they see using value, hue and mark making. There will be a daily critique. All abilities and media welcome in this outdoor master class. Nationally recognized as a leading realist painter, George Nick’s work is included in the collections of the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the Hirshhorn Museum; and the Corcoran Gallery of Art in Washington D.C., as well as many others. George Nick currently teaches at Massachusetts College of Art and Design.

In March, 2007, the Danforth Museum of Art (Framingham, MA) mounted George Nick: Spirit of Place featuring paintings executed by Nick in Rome in 2005. In a foreward for the exhibition’s catalog John Updike wrote “In his most recent work, my impression is, he steps back from the virtuosic looseness and dash of the premier coup method into something like the precision with which he was portraying middle-class houses, solidly carved by sun and shadow, thirty years ago. New paintings of sun-splashed domestic interiors, of Back Bay perspectives, of an antique tractor in snow and a retired fighter plane in a blue-tinted hangar all give us a third dimension soaked in light and a truthfulness so simultaneously blunt and intricate that we marvel. ...George paints like a young man just discovering the appearances of things, discoveries that have nothing to do with the ego of the artist but everything to do with the world’s constant overflow of color and form.”

Studio Art Foundation Program

South Shore Art Center offers a new program for students looking to formalize their art studies. Upon completion of a specially designed curriculum, SSAC will award students a Certificate in Studio Art Foundation. Participants in the program will have ongoing support of Art Center faculty to evaluate work and assist in course selection. Certificate Students will have priority registration and be assisted in creating a portfolio of work from their selected courses for presentation and exhibition. They also will have the opportunity to exhibit at SSAC in Certificate Student shows. Courses must be completed within three years of registration. (One course, taken prior to January 2009 is eligible for inclusion in the Certificate Program.)

Registration fee for this program is $50.
Contact 781-383-2787 for more information.

First Year Focus
Basic Drawing (48 hours minimum)
Color Theory (10 hours minimum)
Intro to Painting (24 hours minimum Oil, Acrylic, or Watercolor)
Elective choice (24 hours)

Second Year Focus
Drawing II (24 hours minimum)
Art History (12 hours)
Painting Elective (24 hours minimum)
Elective choice (24 hours)

Elective Courses
Advanced Drawing (24 hours)
Printmaking (24 hours)
Photography (16 hours)
3D ceramics (24 hours)
Sculpture (24 hours)
Visiting Art Workshops (18 hours minimum)

300 Basic Drawing

Judy Rossman

The ability to draw is not inherited, it is a learned skill. That ability is directly related to ones’ observational skills. Being able to see the basic structure of all objects is the first step (similar to reading music). Through a series of exercises, assignments, and “homework”, students will strengthen their observational skills and their drawing skills. Composition, value studies, line, texture and color will broaden their understanding of the drawing process. This class can accommodate both beginner and intermediate levels in a supportive environment with lots of one-on-one instruction. Continuing students may complete works in progress.

300a 9/24–11/12 Friday am 10:00–1:00
300b 9/21–11/9 Tuesday pm 6:00–9:00
$205M $245NM 8 classes

301 No Fear Drawing—Basic Drawing Techniques

Marion Carlson

You can draw! Each week, a principle of design will be introduced. This hands–on approach will give you the tools to have a successful drawing. You will learn line, texture, value, contrast, negative space and more in this supportive two-hour class. (No class October 11)

9/27–11/22 Monday pm 6:30–8:30
$145M $185NM 8 classes

302 Pastel Atelier

Donna Rossetti-Bailey

This experience for the intermediate and experienced pastel artist will provide five hours of uninterrupted studio and plein air painting time each week. Each session will include instruction, one-on-one easel time, critiques, and lots of information exchanges. All students will be encouraged to express their own personal style and imagery. We will have fun, laugh and learn from one another in this extended class. We will work outside when weather permits. Some materials provided. Bring your lunch. (No class November 24)

9/22–12/1 Wednesday 9:00–2:00
$350M $390NM (includes additional materials fee) 10 classes

303 Drawing for Painting

Evelina Brozgul

In this intensive still life class you will learn to draw “exactly what you see” from life and will progress to being able to draw without inhibitions or fears. The goal of the class is to train your eye to look, not just see what is on the stand. You will receive assignments that will train your hand and eye coordination and develop an intelligent and strong classical technique often forgotten by contemporary artists. Finally you will examine how value relates to color and how drawing is necessary for classical painting. (No class November 11)

9/23–11/18 Thursday am 9:30–12:30
$205M $245NM 8 classes

304 Pastel Painting Thursdays

Anne Heywood

Hone your pastel painting skills this fall in a supportive group setting. Course includes live painting demonstrations, pastel instruction, one-on-one assistance at your easel, plenty of painting time, and constructive group critiques. Suggested materials list provided upon registration. Bring painting references (photographs, still life objects, etc.) to each class. First week demonstration topic: still life. (No class November 11)

9/23–11/18 Thursday pm 6:00–9:00
$205M $245NM 8 classes

305 Botanical Drawing and Painting

Sarah Roche

Led by a professional botanical artist and experienced teacher, students will explore the world of botanical art. Using traditional drawing and watercolor techniques, work towards producing a lifelike and accurate botanical painting. All abilities are welcome as there will be plenty of demonstration and individual attention. (No class October 11)

9/27–11/8 Monday am 9:30–1:30
$165M $205NM 6 classes

309 Beginner Pastels & Colored Pencil Drawing

Ruthe Sholler

Students will learn a variety of techniques using pastels, colored pencils and mixed media. They will then adapt these techniques in the creation of colorful, dynamic works of art. There will be weekly informational sheets supplied by the instructor, to be used for discussion and reference materials.

9/23–10/21 Thursday pm 1:00–4:00
$145M $185NM 5 classes

310* Beginner/Intermediate Watercolor

Mary Callahan

Designed for all levels of the watercolorist, this course will first provide the fundamentals and then explore the many techniques of watercolor. Work from still life set-ups, photos or from your imagination. Emphasis will be on color and design, with the goal of creating an organized emotional statement. (No class November 11 or 25)

9/23–12/9 Thursday am 9:00–12:00
$240M $280NM 10 classes

317 Bare Bones Watercolor

Lilly Cleveland

This course is designed to start people in painting. Whether you use the information for journaling, relaxation or painting masterpieces, this course is for you. Students will start with supplies and explanation of colors, paper, palette and brushes. We will paint a still life, landscape, monochromatic or work from photographs. Each class is designed with a planned lesson in shapes, composition, values (lights and darks) and color combinations. The first half hour will be spent drawing a thumbnail sketch of the subject and then we will paint through to a finished piece. The supply list is designed so students can start painting affordably. Demonstrations will focus on colors and composition. (No class October 11 and 18)

317a 9/27–11/15 Monday pm 1:30–4:30
317b 10/6–11/10 Wednesday pm 6:30–9:30
$165M $205NM 6 classes

318 Nutshell Workshop

Lilly Cleveland

Have you ever been intrigued by small works? Are you focused on that tiny painting which you can see from across the room when you are in a gallery? Learn watercolor techniques as they apply to the creation of smaller paintings. Four-session workshop will explore basic set up in watercolor, papers, techniques and subject matter. The goal will be to create a small work—start to finish—to be matted, ready for a frame given as a gift. This workshop will result in one or two finished pieces.

11/29–12/13 Monday pm 1:30–4:30
$95M $125NM 3 classes

321 Oil Painting—Basics for Beginners

Charissa Roberts

Explore oil painting in this personalized class. Each week students will be introduced to a new subject including still life, landscape, and floral. Emphasis will be on the possibilities of the medium, color, composition and techniques. Personal goals will be discussed and supported. (No class November 5)

9/24–11/19 Friday am 9:30–12:30
$205M $245NM 8 classes

322 The One Hour Painting

Nancy Colella

This class will explore the practice of creating a painting from start to finish in one hour, teaching students how to think more spontaneously and produce more lively and intuitive work. It will help simplify the process and enable students to “say a lot with little.” Generous, quick, well placed strokes will give create fresher, simpler, more effective paintings. Each class will begin with a demo followed by a “timed” one hour group painting session. We will work both outdoors en plein air (when the weather permits) and also from still life and photos. An understanding of the materials would be helpful.

9/21–11/9 Tuesday am 9:30–12:30
$205M $245NM 8 classes

323 Painting with Acrylics

Lisa Marder

Explore this versatile medium while learning the basics of drawing and painting. We will use still life, photographs, the landscape, the figure, sketchbooks, and works of other artists as sources of inspiration. While experimenting with color, line, value, texture, and composition we will produce both representational and abstract works in a fun, relaxed, and supportive atmosphere. Beginning as well as continuing students are welcome.

9/23–10/21 Thursday pm 1:00–4:00
$145M $185NM 5 classes

326 A Demo A Day—Learning From Example

Joan Brancale

Explore this versatile medium while learning the basics of drawing and painting. We will use still life, photographs, the landscape, the figure, sketchbooks, and works of other artists as sources of inspiration. While experimenting with color, line, value, texture, and composition we will produce both representational and abstract works in a fun, relaxed, and supportive atmosphere. Beginning as well as continuing students are welcome.

9/30–11/4 Thursday am 9:30–12:30

$165M $205NM 6 classes

327 "Alla Prima" class

Dianne Panarelli Miller

This class will begin with an informative demonstration to help students see how to begin a painting. The instructor will work with students on an individual basis to help them improve at their own speed. Students will work outside – weather permitting or work from still life set ups. Dianne will blend the discipline of Academic Traditional Methods with the freedom of “Alla Prima” (all in one sitting) to help students learn the fundamentals to create a painting that is structurally sound in color, composition and technique. Whether you are a beginner or advanced artist you will benefit from this class. (No class October 11)

9/20–11/15 Monday am 9:30–12:30

$205M $245NM 8 classes

329 Portrait Painting

Dianne Panarelli Miller

This class will study portrait in the “alla prima” (all-in-one sitting ) approach. Students will work with live models. Through exercises and demonstrations, Dianne will incorporate academics and discuss color, composition and technique. Both beginners and advanced artists will benefit from this class. It is best to start with charcoal and move into paint, but you can start right away with paint.

9/22–11/10 Wednesday pm 6:30–9:30
$250M $285NM 8 classes (includes model fee)

500 LIfe Drawing and Painting Studio

uninstructed—Michael McNabb, Coordinator

Develop your skills in drawing from the model in this ongoing class. Please call the Coordinator 781-545-4991 if you plan to attend.

ongoing Monday evening 7:00–10:00
$7M $9NM

 

351 Clay Work

Sheilagh Flynn

This course includes instruction in handbuilding and wheelthrowing techniques. Beginners will learn the basics of clay: slab and coil construction, wheelwork, and glazing. Advanced students will explore more complicated pieces such as teapots and larger scale pieces. The class will also investigate different surface/decorating techniques such as slips, scrafitto, paper resist, carving and glazes.

9/21–11/23 Tuesday pm 6:30–9:30
$295M $335NM 10 classes (includes materials and firing fee)

352 Potter's Wheel & More

Janice Bracken

This intermediate/advanced ceramic class will cover wheel techniques as well as slab, coil and handbuilding. Glaze applications will be demonstrated and independent projects welcome in this very supportive class. Open to all students with some studio experience. (No class November 24)

9/22–12/1 Wednesday pm 6:30–9:30
$295M $335NM 10 classes (includeds materials and firing fee)

353 Sculpting with Paper Clay

Ann Conte

Paper clay is clay that has been mixed with paper pulp. Its properties allow an innovative method of using clay which would not be possible with a regular clay body. It’s easy to use, extremely strong in its unfired stage and easy to repair at any stage in the process. When fired, it is much lighter than conventional clay and is useful for wall installations and delicate sculptural forms. Students will explore handbuilding and sculptural techniques that will go beyond traditional clay boundaries. Previous ceramic experience helpful. (No class November 11 or 25)

9/23–12/9 Thursday pm 6:30–9:30
$295M $335NM (Includes materials and firing fee) 10 classes

365 Experience Collage

Gary Nisbet

Collage is a unique and immediate means of artistic expression. Students will be guided through the process of gathering, assembling and creating their own special visual language by using a variety of personal collage materials. Techniques of metallic leaf, crackle finishes, and painting on collage will also be introduced. Be inspired by new materials, applications and assembly. Students will work on a number of 2D and 3D mixed media projects and will be taught simple exercises that will help them discover their own individual creative process.
9/21–11/9                    Tuesday evening          6:30–9:30        8 classes
$205M  $245NM     

371 Basic Digital Photography

Tim Waite

Learn how to maximize the digital camera. Students will learn the fundamentals of exposure by taking advantage of the features and functionality specific to their own digital camera. This course will focus on the technical aspects of digital photography, including image file formats, lens selection, the light metering, and developing your own digital workflow. You will build on your abilities week-to-week through various assignments created to reinforce the topics you’ve learned. Students should bring their cameras and manuals to class. A digital SLR camera is strongly recommended. For more information please visit www.timwaitephoto.com. (No class October 21, November 11 or 25)

371 9/23–12/2 Thursday pm 7:30–9:30

$160M $185NM 8 classes

391 Art History: Styles and Temperaments

Tony Pilla

Tony Pilla’s discussion format draws on numerous visual sources to illustrate stylistic differences, aesthetic concepts and significant themes and genres. Bring your curiosity about new ideas, and share your perceptions, insights and opinions about familiar and not so familiar art masterpieces. This class will stimulate your appreciation for the expressive language of the visual arts through entertaining and challenging discussions with other art enthusiasts. Following a survey format, this six week course will focus on the major periods and stylistic developments in the visual arts from the 14th to the early 20th century. (No class November 11 or 25)

10/14–12/2 Thursday pm 1:30–3:30
$90M $110NM 6 classes