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General Information

• Please register early to avoid disappointment. You may register online at www.ssac.org, call 781.383.2787 to register by phone with a credit card or see registration page for mail-in information. Tuition includes a $25 non-refundable registration fee.

• Young adults, 15 years and older, are welcome to enroll in most adult courses with the permission of the instructor.

• Materials are included for Children/Teen Courses and Workshops unless noted. Students must provide their own materials for Adult Courses and Workshops unless noted.

Holiday & Weather Policy:
• No classes will be held May 28, Memorial Day.

• An asterisk (*) following a course number denotes a course eligible for one Massachusetts College of Art undergraduate credit for $125 additional fee.

Studio Art Foundation Program


South Shore Art Center offers a new program for students looking to formalize their art studies. Upon completion of a specially designed curriculum, SSAC will award students a Certificate in Studio Art Foundation. Participants in the program will have ongoing support of Art Center faculty to evaluate work and assist in course selection. Certificate Students will have priority registration and be assisted in creating a portfolio of work from their selected courses for presentation and exhibition. They also will have the opportunity to exhibit at SSAC in Certificate Student shows. Courses must be completed within three years of registration. (One course, taken prior to January 2012 is eligible for inclusion in the Certificate Program.)

Registration fee for this program is $50.
Contact 781-383-2787 for more information.



First Year Focus
Basic Drawing (48 hours minimum)
Color Theory (10 hours minimum)
Intro to Painting (24 hours minimum Oil, Acrylic, or Watercolor)
Elective choice (24 hours)


Second Year Focus
Drawing II (24 hours minimum)
Art History (12 hours)
Painting Elective (24 hours minimum)
Elective choice (24 hours)


Elective Courses
Advanced Drawing (24 hours)
Printmaking (24 hours)
Photography (16 hours)
3D ceramics (24 hours)
Visiting Art Workshops (18 hours minimum)


Studio Art
Foundation Program

300 Basic Drawing


Judy Rossman

The ability to draw is not inherited, it is a learned skill. That ability is directly related to ones’ observational skills. Being able to see the basic structure of all objects is the first step (similar to reading music). Through a series of exercises, assignments, and “homework”, students will strengthen their observational skills and their drawing skills. Composition, value studies, line, texture and color will broaden their understanding of the drawing process. This class can accommodate both beginner and intermediate levels in a supportive environment with lots of one-on-one instruction. Continuing students may complete works in progress.

7/13–8/17 Fri 10:00–1:00
$195M $235NM 6 classes

300
Members
Non Members

307 From Idea to Visual Image

 

Evelina Brozgul

By engaging in the process of creating a painting from idea to finished art work, students will learn about composition, form, proportion, light, space, and color and the way emotions play into this. Students will work in a paint medium of their choice and are encouraged to choose from a variety of visual resources for their inspiration. By the end of the course, students should be able to effectively apply various techniques to realize visual ideas, enrich content, and perhaps even develop a painting portfolio. Bring a 2B pencil, drawing eraser, and drawing pad to the first class. Additional materials will be discussed for subsequent classes.

7/11–8/15 Wed am 9:00–12:00
$195M $235NM 6 classes

307
Members
Non Members


309 Beginner Pastels & Colored
Pencil Drawing


Ruthe Sholler

This is a class for beginners with a passion for discovery. Students will learn a variety of techniques using pastels, colored pencils and mixed media. They will then adapt these techniques in the creation of colorful, dynamic works of art. There will be weekly informational sheets supplied by the instructor, to be used for discussion and reference materials.

7/10–8/14 Tues am 9:00–12:00
$195M $235NM 6 classes

309
Members
Non Members

310* Beginner/Intermediate Watercolor


Mary Callahan

Designed for all levels of the watercolorist, this course will first provide the fundamentals and then explore the many techniques of watercolor. Content may be inspired by still life set-ups, photos or from your imagination. Emphasis will be on color and design, with the goal of creating an organized emotional statement.

7/12–8/30 Thurs am 9:00–12:00
$215M $255NM 8 classes

310*
Members
Non Members


321 Still Life Details


Evelina Brozgul

This course is designed to introduce you to a world of still life. You will learn not only the interesting symbols of the objects that were used in the 15th and 16th centuries but you will also learn how to beautifully render them in your paintings. In class we will practice everything from laying down the gesso to final glazing techniques. Through class demonstrations, copying the masters and working on your project you will become a skillful painter. Learning about symbols in the still life genre throughout history will generate new and interesting ideas for your own work in the future. Visits to the museum and some research for the subjects in your painting will be encouraged.

7/10–8/14 Tues 9:00–12:00
$195M $235NM 6 classes

321
Members
Non Members

322 Painter’s Studio


Valerie Forte Vitali

This class will focus on aspects of painting techniques and content variations. Based on students’ individual level of experience and personal objectives, this class will help students to develop a body of work that represents their sense of exploration and discovery. We will view examples of contemporary realism and abstraction and find connections through the practice of painting. One class will involve study with a model. Some prior experience with painting is suggested.

7/12–8/9 Thurs 10:00–4:00
$250M $290NM 5 classes

322
Members
Non Members

325 Advanced Acrylic Painting


Erik Bunker

This course allows the experienced painter to explore a further understanding of color and composition while developing their own style. Encouraging the individual artist to define their own artistic voice by first building upon the foundation of observation will be the essence of this studio experience.

7/9–8/13 Mon pm 6:00–8:00
$195M $235NM 6 classes

325
Members
Non Members

327 “Alla Prima” Still Life / Landscape


Dianne Panarelli Miller

This class will begin with an informative demonstration to help students see how to begin a painting. The instructor will work with students on an individual basis to help them improve at their own speed. Students will work outside­—weather permitting—or work from still life set ups. Instruction is based on blending the discipline of academic traditional methods with the freedom of “alla prima” (all in one sitting) painting to help students learn the fundamentals of creating a painting that is structurally sound in color, composition and technique. Whether you are a beginner or advanced artist you will benefit from this class.

7/11–8/29 Wed pm 6:30–9:30
$215M $255NM 8 classes

327
Members
Non Members

500 Life Drawing and Painting Studio


Uninstructed—Michael McNabb, Coordinator

Develop your skills in drawing from the model in this ongoing class. Please call the Coordinator 781-545-4991 if you plan to attend.
Ongoing Monday pm 7:00–10:00

$10 per session model fee payable at class

340 Intermediate/Advanced
Monoprinting


Esther Maschio
Discover the limitless possibilities of using a press for printing your work in oil and waterbased inks. Each class balances time spent learning methods and techniques (including the use of stencils, transparencies and embossing) with time to work independently. Individual guidance as well as group demonstrations and discussions are an integral part of this class. Emphasis is on developing your own expressive style. (includes $20 materials fee for inks and limited paper).

7/9–8/13 Mon pm 6:30–9:30
$195M $235NM 6 classes


340
Members
Non Members

341 Advanced Monoprinting


Esther Maschio

For experienced printmakers who want to develop their personal imagery in printmaking. Emphasis is on strong design, color relationships, composition and experimentation. The instructor will telephone new registrants prior to the first class to discuss level of experience, materials and supplies. For intermediate and advanced artists with recent printmaking experience. (includes $15 materials fee for inks)

7/9–8/13 Mon 9:00–2:00
$240M $285NM 6 classes


341
Members
Non Members

342 Turning Pages—Collage


Esther Maschio

This is an opportunity for your unique expression to come forth. Simple no-stitch books will be made with your own creations of collage, transfer prints, gelatin prints, papers and materials, new, old, found, or purchased. All techniques used will be lo-tech. This is an opportunity to present your own writing (or some favorite quotes) in an artful way. Students will create at least two books during the workshop.

7/10–8/14 Tues pm 6:00–9:00
$195M $235NM 6 classes

342
Members
Non Members

351 Clay Work


Sheilagh Flynn

This course includes instruction in wheelthrowing and handbuilding techniques. We will start where you are: beginners will learn how to center clay, make small bowls and cups: advanced students will explore more complicated forms including lidded jars and teapots. The class will also investigate different surface/decorating techniques such as slips, scrafitto, paper resist, carving and glazes. (includes materials and firing fee)

7/10–8/14 Tues pm 6:30–9:30
$215M $255NM 6 classes

351
Members
Non Members

352 Potter’s Wheel & More


Janice Bracken

This ceramic class will cover wheel techniques as well as slab, coil and handbuilding. Glaze applications will be demonstrated and independent projects are welcomed in this very supportive class. Open to all students. (includes materials and firing fee)

7/11–8/15 Wed pm 6:30–9:30
$215M $255NM 6 classes

352
Members
Non Members

353 Sculpting with Paper Clay


Ann Conte

Paper clay is clay that has been mixed with paper pulp. Its properties allow an innovative method of using clay which would not be possible with a regular clay body. It’s easy to use, extremely strong in its unfired stage and easy to repair at any stage in the process. When fired, it is much lighter than conventional clay and is useful for wall installations and delicate sculptural forms. Students will explore hand building and sculptural techniques that will go beyond traditional clay boundaries. Previous ceramic experience helpful.

7/12–8/16 Thurs 6:30–9:30
$215M $255NM 6 classes
(includes materials and firing fee)

353
Members
Non Members

365 Collage and Mixed Media


Gary Nisbet

Collage is a unique and immediate means of expression. Students will be guided through the process of gathering, assembling and creating their own special visual language by using a variety of personal collage materials. They will also learn techniques of metallic leaf, crackle finishes and painting on collage. Be inspired by new materials, applications and assembly. Students will work on a number of two-dimensional and three dimensional mixed media projects and will be taught simple exercises that will help them discover their own individual creative process. A supply list will be provided.

7/12–8/16 Thurs pm 6:30–9:30
$195M $235NM 6 classes

365
Members
Non Members

371 Basic Digital Photography—Start
to Finish


Tim Waite

Learn how to maximize the digital camera. Students will learn the fundamentals of exposure by taking advantage of the features and functionality specific to their own digital camera. This course will focus on the technical aspects of digital photography, including image file formats, lens selection, the light metering, and developing your own digital workflow. You will build on your abilities week-to-week through various assignments created to reinforce the topics you’ve learned. Students should bring their cameras and manuals to class. Digital SLR cameras required. For more detailed information, please visit www.timwaitephoto.com.

7/11–8/29 Wed pm 7:00–9:00
$185M $225NM 8 classes

371
Members
Non Members

Tim Waite

372 Lightroom

Tim Waite

Learn how to maximize your digital photography workflow with Adobe Photoshop Lightroom. In this workshop you will learn how to import and manage your digital photographs, as well as how to improve photos, in both color and black & white. Applying preset filters will be discussed and demonstrated as well as how to make your photographs “pop” using Lightroom’s array of image modification tools, such as tone curves. An understanding of digital photography and your camera’s RAW image file format are required. A laptop with the latest version of Lightroom that you can bring to the workshop is recommended but not necessary. A laptop or desktop that you can bring to the workshop, with Lightroom installed, is required. For more detailed information, please visit www.timwaitephoto.com/lightroom

7/12–8/30 Thurs pm 7:00–9:00
$205M $245NM 8 classes

372
Members
Non Members

373 Creative Photography

Tim Waite & Stephanie Grenadier

This course will explore the creative side of digital photography and will complement the technical aspects covered in 371 Basic Digital Photography. Intended to help you consider new ways of capturing and processing your digital photographs, we’ll cover image composition and development, in an effort to expand your creative vision. Each student should be proficient in the use of their digital camera (DSLR or compact) and have access to and some basic understanding of one or more photo manipulation applications, such as Adobe Photoshop or Adobe Lightroom. Each student should also be able to devote 3 to 4 hours each week to working on the weekly project. For more detailed information, please visit www.timwaitephoto.com/creativecourse.

7/10–8/28 Tues pm 7:00–9:00
$205M $245NM 8 classes

373
Members
Non Members

423 Dog Days Studio


Valerie Forte Vitali
This an opportunity to continue the work of “Painter’s Studio” or to encounter an intense and focused painting experience. Students will work from the model or subjects selected to advance their relationship to painter’s methods and practices. Individual intent and goals and experience will be the basis for continuity.
8/21–8/24 Tues–Fri 10:00–1:00
$125M $165NM 4 classes

423
Members
Non Members

441 Japanese Woodblock Printing Workshop

Lisa Houck

Japanese woodblock prints are renowned for their detail and transparent colors and textures. In this technique, a carved woodblock (created by each student) is colored with watercolors and then printed by placing paper on the woodblock and rubbing the back with a tool called a baren. We will make a two color print, and experiment with different methods of hand coloring our prints. You will go home with all the information you need to continue printing on your own. Come prepared with photographs or drawings as inspiration for your print.

7/7 Saturday 10:00–4:00 $115M $155NM 1 class
$30 materials fee payable to instructor

441
Members
Non Members

461 Collage Cards

Lisa Houck

Using unsual handmade papers and anything else we can find, students will make 4 to 6 handmade cards. We will cut and tear and pierce the paper using sewing and moveable pieces. Bring magazines, photos and other favorite things.

7/8 Sunday 12:00–4:00
$95M $135NM 1 class

461
Members
Non Members

465 Collage Intensive


Gary Nisbet

This is a class for those students who wish to participate in a more intensive journey of self discovery and object making as a transformative experience. Building on personal experiences, students may wish to explore the potential of found objects as the basis for totems, icons, and visual statements based on metaphor and symbology. Discover the form of things unknown through an exploration of the senses in this intensive weekend of personal search and discovery.

8/10–8/12 Fri–Sun 9–2
$175M $215NM 3 classes

465
Members
Non Members

488 Color Theory Simplified
Workshop


Judy Rossman

Through a series of structured sequential exercises, students will understand the basics of color mixing. This understanding will endow the student with skill and confidence in any color media he/she approaches including watercolor, oils, acrylics, oil pastels, colored pencil and gouache. A simple still life will be completed utilizing techniques experienced in previous exercises.

7/14–7/15 Sat & Sun 11:00–4:00
$120M $160NM 2 classes

488
Members
Non Members

507 Drawing: From Observation to Metaphor
WILLIAM FLYNN


This workshop will emphasize finding your personal way of transforming the literal world into a poetic visual experience. We will aim to develop each person’s perspective toward their own art process. Throughout our time, we will move from observation to discovery and transformation. Explore the language of marks, shapes, and visual organization through serious play. We will take some time to look at the evolution of drawing through history and the techniques that made it visible. Requirements: energy, enthusiasm and lots of paper!

William Flynn is a long time faculty member at the School of the Museum of Fine Arts in Boston where he teaches a variety of drawing classes. He is also a graduate of the school. He has exhibited in Boston and New York, and is currently represented by the Victoria Munroe Gallery of Boston.

7/20–7/22 Friday through Sunday 10:00–4:00
$395M $425NM

507
Members
Non Members
William Flynn

506 From Dishtowel to Duchess: How to Draw Convincing Drapery & Folds

LISA KNOX

This workshop is designed for anyone interested in developing skill and confidence when drawing drapery and folds. Discover the hidden rhythms, underlying forms and value structures which will transform a simple piece of cloth (such as a dishtowel) into a dramatic work of art. The morning session will concentrate on demonstrations and structured exercises. Students will use the afternoon session to develop an in-depth value study of a combination-fold in pastel. All levels welcome. Please bring a plain white cotton or linen dishtowel with you to class. There will be a break for lunch. www.lisaknox.com.

Lisa Knox, instructor/founder of The Fort Point Studio School, is a painter and art instructor. Lisa received her BFA and MA degrees from the School of the Museum of Fine Arts in Boston in affiliation with Tufts University. Over the past fifteen years she has taught drawing, painting and art history in Massachusetts and Michigan.

Lisa’s work is in collections throughout the U.S. She has been invited to demonstrate portrait painting at many museums and art organizations, including the University of Michigan Museum of Fine Art and The Children’s Museum in Boston.


6/23 Saturday 10:00–5:00 1 class
$120M $160NM


506
Members
Non Members



Lisa Knox



Hingham Community Center Classes


Please visit our satelite location in Hingham Center. Courses are listed on the Hingham Community Center page.
Hingham Community Center Courses

PDP's

Attention Teachers! South Shore Art Center is approved by the Massachusetts Department of Education as a provider of Professional Development Points. We are pleased to provide a certificate of completion for any of our adult courses or workshops.